RESHAPING TALES | HELGA GEBERT

Telling stories in pictures and words

Jun 12, 2026 - Jan 24, 2027
Special Exhibition

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Führung in der Sonderausstellung | Illustration: Helga Gebert

25. Jul. | 03.00 pm

»ZWISCHEN GESTALTEN | Helga Gebert«

Special Exhibition

Leuchtkaste

RESHAPING TALES | HELGA GEBERT

Exhibition dates: 12 June 2026 – 24 January 2027

Storytelling is a lively exchange, transcending times and cultures. The first comprehensive solo exhibition dedicated to the artist Helga Gebert demonstrates this through her works and her worlds of pictures and fairy tales.

Permanent Exhibition

Mother and child look at fairy tale books in the "Folk tales" section.

GRIMMWELT adventure space

Experience fairy tale collectors and linguists Jacob and Wilhelm Grimm in this fascinating world of knowledge and discovery.

Wiedererzaehlen
Leseecke
Klappbuch 2
Figuieren
Erschrecken
Who ist Helga
Fabulieren
Uebersetzen
Klappbuch

»Her pictures allow us to believe once again that it is easy to talk to plants or turn into a bird.
Can art offer a greater gift than that?«

(from Cornelia Funke’s catalogue essay ‘An Early Encounter’)

Exhibition dates: 12 June 2026 – 24 January 2027

Storytelling is a lively exchange, transcending times and cultures. The first comprehensive solo exhibition dedicated to the artist Helga Gebert demonstrates this through her works and her worlds of pictures and fairy tales. Illustrations become places where stories are questioned, rethought and reshaped.

Helga Gebert, born in 1935 in Freiburg im Breisgau, has created an impressive variety of characters and worlds through her work – whether by illustrating well-known stories from Grimms’ fairy tales and the “Arabian Nights”, or through her own tales. In the 1970s and 80s, she was regarded as one of the key figures in the renewal of German literature for children and young adults; she was one of the regular authors and illustrators for the book programme for children and young adults which had been newly established by the Beltz publishing house. Her work exemplifies the delicate balance to be found between well-known traditions and the possibility of their renewal. Transformations, shifts in perspective and disturbing elements encourage us to investigate the artist’s aesthetic and narrative strategies within the context of contemporary discourses on fairy-tale and storytelling cultures.

Raumansicht

Exhibition »ZWISCHEN GESTALTEN | HELGA GEBERT«

ZWISCHEN GESTALTEN (RESHAPING TALES) highlights the dynamic interplay between word and picture, between the illustrations and traditional source material. It makes changes in the images from fairy tales and their significance recognisable, and shows how cultural influences, hierarchies and the ongoing appropriation of stories are inscribed within them. In this way, Helga Gebert’s work enables new perspectives on contemporary forms of storytelling.

Insights into the artist’s world are provided by moments from her biography, formative impressions from her life, by the sources of her inspiration, and examples of her political and social activities. Numerous pictures by Helga Gebert – including several previously unpublished works – bear witness to her immense creative energy. Individual works by other artists – for example from the Grimm Collection of the City of Kassel, by Maurice Sendak, Helga Ruppert-Tribian and the Kassel-based illustrator Markus Lefrançois – make it possible to draw comparisons concerning the choice of fairy tales and scenes as well as the depiction of characters. Further dimensions in the exhibition are added by artistic, interactive, cinematic and auditory elements; for example, there is a film installation by Catrine Val, a sound collage by Katharina Zimmerhackl, and an interactive feature created in collaboration by Olaf Val and Lina Walde. Works done by a sixth-year class from the Kassel grammar school Wilhelmsgymnasium form part of another interactive station, encouraging visitors on their part to try their hand at painting. A quiz rally for children and an exhibition catalogue delve more deeply into the exhibition’s themes.

The exhibition was developed in collaboration with the design studio Gebert & Krüger and was curated by Hanna Krüger.

The exhibition is generously supported by the documenta-city of Kassel and the district of Kassel.

IE42 fuer Website

Helga Gebert, illustration for ‘Irma sucht Eugen. Bildgeschichte’ (Picture Book; 17), Beltz & Gelberg, 1975

16 fuer Website

Helga Gebert, illustration for ‘Igel und Maus’ (unpublished, undated)

19 fuer Website

Helga Gebert, independent work (unpublished, undated)

14 fuer Website

Helga Gebert, illustration for a Grimm ‘hidden object picture’ (unpublished, undated)

Sonderausstellung ZWISCHEN GESTALTEN | Illustration zum Märchen der Brüder Grimm: Aschenputtel | © Helga Gebert

Helga Gebert, illustration for the Grimm fairy tale: ‘Cinderella’ (unpublished, undated)

Sonderausstellung ZWISCHEN GESTALTEN | Illustration zu »Umtschegin und die Schwanenmädchen« | © Helga Gebert

Helga Gebert, illustration for ‘Umchegin and the Swan Maidens’, in: ‘Woher und Wohin? Märchen der Frauen’, Beltz & Gelberg, 1991

Sonderausstellung ZWISCHEN GESTALTEN | Illustration Oestlich von der Sonne und westlich vom Mond | © Helga Gebert

H. Gebert, illustration for ‘East of the Sun and West of the Moon’, in: ‘Mutabor. Märchen der Verwandlung’, Beltz & Gelberg, 1988

Blob fuer Website

Helga Gebert, ‘Die Geschichte vom Aufblaser Blob’, in: BilderBuch Number 1. First Annual Volume, Beltz & Gelberg, 1973

Artist’s Biography

Helga Gebert

Helga Gebert (born 16 January 1935 in Freiburg im Breisgau) is an illustrator, painter, author and translator. Most of all, she became well-known for her fairy-tale books, for which she created illustrations, wrote her own versions of the texts and produced translations from the original languages into German. For her work, she learnt English, French, Spanish, Italian and Arabic as well as other languages. Her illustrations range from delicate pen-and-ink drawings and watercolours to richly detailed oil paintings. Apart from book illustrations, she also designed murals and stage sets, among them for the Freiburg Children’s Hospital and the Wallgraben Theatre in Freiburg. From 1963 onwards, she also worked in creative therapy in the psychosomatic department of Freiburg University Hospital. From the 1970s onwards, she played a key role in the book programme for children and young adults at the Beltz publishing house (“Beltz & Gelberg”) and was actively involved in social causes – both in the anti-nuclear movement and in refugee aid in Freiburg.

Her enthusiasm for the world of fairy tales already emerged in her early childhood. Helga Gebert grew up in Freiburg and in a small village in the southern Black Forest, where an aunt introduced her to the world of stories, painting and drawing. After finishing school, she studied painting at the State Academy of Arts in Freiburg. Since then, she has seen herself as a painter of fantastical worlds – and has remained so to this day.

Helga Gebert c Margit Mueller

Helga Gebert

»When I’m painting, the figures want to do something different. I actually had an idea how it was supposed to look, and then suddenly it turns out differently.«

Helga Gebert, Schär 2014/2015

Vita

Hanna Krüger | Curator of the exhibition
Hanna Krüger was born in Berlin in 1979. She studied product design at the School of Art and Design in Kassel and curatorial studies at the Academy of Graphic Arts and Book Design in Leipzig. Today she works as a designer, exhibition architect and curator; for the past fifteen years she has co-directed the Gebert & Krüger design studio in Kassel with Jakob Gebert.

Her work lies at the intersection of cultural techniques, design, art and the natural sciences. It is characterised by a transdisciplinary approach, interconnecting perspectives from art, design and curatorship. This gives rise to carefully composed, atmospherically rich exhibition projects in which aesthetic, cultural and social issues are woven together to form multi-layered narrative spaces.

With the Gebert & Krüger studio she has realised exhibition projects for, amongst others, the Dresden State Art Collections (SKD), the MAK in Vienna, GRIMMWELT in Kassel and the Natural History Collections of the State of Bavaria (SNSB).

Jakob Gebert | Exhibition designer and Helga Gebert’s son
Jakob Gebert (born 1965 in Freiburg im Breisgau) is a product designer, exhibition architect and professor at the School of Art and Design of Kassel University. After studying at the Basel Academy of Art and Design, he worked as a freelance product designer for companies including Vitra and Nils Holger Moormann. For the past fifteen years, he has co-directed the Gebert & Krüger design studio in Kassel with Hanna Krüger. The studio curates, designs and realises exhibition projects for and with institutions, museums and universities.

Jakob Gebert’s work – in both practice and teaching – understands design as a cultural technique that acts as a transformative force on the relationship between people and their environment: as a mutual activity that opens up new ways of living, working and presentation in intermediate spaces – between object and architecture, between everyday situations and curated spaces, between institutional frameworks and individual appropriation.

Support

The exhibition is generously supported by the documenta-city of Kassel and the district of Kassel.

  • Stadt Kassel Logo klein
  • Platzhalter weiss nicht so hoch
  • Landkreis Kassel Logo klein

Imprint

RESHAPING TALES | HELGA GEBERT

Telling stories in pictures and words

Director | Programme Manager GRIMMWELT Kassel
Jan Sauerwald

Curator
Hanna Krüger

Project Team GEBERT & KRÜGER
Hanna Krüger, Jakob Gebert, Helga Gebert, Florian Müller, Antonia Ludwig, Anna Engelhardt, Jasper Engelhardt

Project Team GRIMMWELT
Claudia Roßkopf, Jan Sauerwald, Karoline Schmidt, Björn Wolf

Exhibition Design
GEBERT & KRÜGER

Graphic Design
Studio Terhedebrügge, Hanna Krüger

Video Installation ÜBERSETZEN (Translating)
Catrine Val

Sound Installation ERSCHRECKEN (Scaring)
Katharina Zimmerhackl

Interactive Installation ANEIGNEN (Appropriating)
Hanna Krüger, Olaf Val, Lina Walde

Animation WHO IS HELGA?
Hanna Krüger, Antonia Ludwig, Tobias Zarges

Intervention Image and Text FABULIEREN (Inventing)
Class 6e Wilhelmsgymnasium Kassel

Production Management
Jakob Gebert, Florian Müller, Björn Wolf

Arthandling | Installation 
Hanna Krüger, Jakob Gebert, Philip Scholz, Milan Stein, Simon Obermeyer, Darius Zalzadeh, Felicia Schachtschneider, Anna Huber

Grafic Design Puzzle Trail
Studio Terhedebrügge

Education | Mediation
Julia Ronge, Karoline Schmidt

Communication | MarketingPublic Relations
Katja Blum, Antje Haferkamp, Filip Kolek, Karoline Schmidt

Administration
Stefanie Büscher, Christine Großberndt, Svenja Polonji, Karoline Schmidt, Lina Schmidt, Timo Vogt

Media
Sophie Hilbert, Rolf Tonhäuser, Olaf Val, Björn Wolf

Light
Armin Jakob/Jabatech, Landwehr + Schultz

Editing
Rea Triyandafilidis

Translation
Neville Williamson

Grimm Collection of the City of Kassel maintenance:
Kilian Knop, Júlia Révay

With thanks to
WISAG Gebäudereinigung Hessen Nord GmbH & Co. KG, secura protect Mitte GmbH, freelance guide

We would like to thank all contributors
Heinrich Hartleb, Kurt Heerdt & Sohn, Malermeister Heiko Wiktor, Werbetechnik Zinke, Holztechnik Finkele GmbH, Julius Kress OHG, TYPESONFOIL Werbe- und Veranstaltung GmbH, Matthias Heß, Valeria Santagati, Ulrich Scholz, Thomas Dörsch, Darius Zalzadeh

We would like to thank the sponsors of the exhibition
documenta Stadt Kassel, Landkreis Kassel

If, despite careful checking, the rights of third parties (e.g. copyright) have been infringed, please notify us accordingly.

»Paintings that haven’t quite turned out right – I always call them “knit two, purl two”. They’ve been created in a rather mechanical way. When a painting has turned out well, I get the feeling that it wasn’t just me who painted it. I experience the same thing when I’m writing. Either it’s “knit two, purl two”, or suddenly it just flows of its own accord. You feel inspired. If you don’t hold on tight, but think beyond what is just going on, an energy emerges that leads to something new. But sometimes you’re inwardly locked, cut off from the world. And then you just paint or write “knit two, purl two”. With fairy tales, it’s the existing text that leads me to an image. With the picture story I’m currently working on, the images come into being as part of a process. I started with a mouse wearing a red cap. And then I wondered: what’s the mouse up to now? I find myself thinking about it constantly – even whilst peeling potatoes, or when I’m lying in bed and haven’t fallen asleep yet. Then I think: blue, it has to be blue! Blue – water, ah yes, it’s falling into the water. And so, bit by bit, the story comes to me in pictures. And then I start to paint, and while I am painting, it changes. Whilst I’m painting, the characters want to be positioned differently. I’d actually thought it should look a certain way, and then suddenly it turns out differently. But that’s fine too.«

Schär, Franz: Helga Gebert – Märchenillustratorin und Märchensammlerin. Von einer, die auszog, die Sprache der Bilder zu erwecken. In: Märchenforum Winter 2014/15